都市悬疑故事之逃亡

【part10】

时光如水，倒退回两年前，认识周老板的第二天早晨。

我提前赴约，前往“启生画廊”，迫不及待地想把游戏计划告诉周老板，却只看到了助理陈友贵。

听说那天周老板没法赶回来，知道不能当面告诉他，我遗憾地把计划写在一封信里，托助理把信交给他。

那是我自以为是的第一个设计。

凶手从展厅旁边的通道走到尽头，等待顾客和同事们的光临。假设当天的画展只接待一批顾客，那么这批顾客会一同进入第一展厅，员工也都集中在第二展厅等待，大厅里就变得空无一人。

凶手十分熟悉展厅的环境和各类刀具，杀完人后他将所有的尸体运到大厅，加上事先在天花板上布置好了绳套，他把尸体的头套在绳套里，然后自己回到第一展厅。绳套升起的开关设计用了光敏电阻，第二批顾客进入第二展厅后，所有的灯光亮度都会因为观展的画作风格需要而改变，绳索自动拉直，所有的尸体升到空中。

我真的以为我只是在设计一场游戏，却忘了周老板那次的会展主题叫做“在路上谋杀岁月”。

我与周老板有五十年的年龄差距，可以促膝而谈并非是巧合，事实上我是他下决心在这个世界上交的最后一个朋友。

对于一个画了一辈子诡异色彩的画家来说，人生的主题到底是生存还是死亡，这个选择权应该掌握在自己手上，尤其在他得知患上了严重白内障再也无法看清这世界的颜色之后，他准备好好与这个世界告别。

如果带着浑浊的眼睛慢慢走向人生的尽头，他更愿意选择在这条路上谋杀这段可以预知的悲惨岁月。《呐喊》里可怕的人物形象，一个完全与现实隔离了的孤独者，看不见他身后的景色，也看不见未来，那渐渐形如枯骨的人就是他自己。

“如果拿我这画廊做地点，怎么完美杀人？”如果可以在自己奋斗了一辈子的画廊里被自己谋杀，的确堪称完美。

原来他想杀的是他自己。

我那一年，想杀的一直是别人。

两种不同的视角，让我误解了他的意思，设计出的游戏居然是杀完所有的员工，那张写满计划的信轻轻落在了他的桌上，不幸的是被他的助理拆看了。

陈友贵的人生本是一条既定的发展路线，就好像传统游戏里的单线剧情，等出师之后开一家自己的画廊，做一个体面的老板。在这之前，助理的生活必定是辛苦而忙碌，还要时时被脾气古怪的画家师父训斥怒骂，在同事之间也没什么威信，连周老板那个只会玩游戏，不成器的儿子都可以随时教训他，陈友贵想要声名鹊起似乎不只是时间问题。

这封信和信里的谋杀计划像一把刀加深了他对未来的恐惧，原来周启生要杀了自己！

如果你是陈友贵你会怎么做？

为了保命离开培养了自己的画廊？如果离开“启生画廊”人生等于从零开始。

报警告诉警察？仅凭一封信谁也不会相信，况且诬告自己的老师会是什么结局？

我相信他花了一个晚上的时间布置天花板的机关时，下了很大的决心。

我的第一个游戏计划成功杀死了展厅里的所有员工，包括周老板。周老板到死才发现，命运还是没掌握在自己的手里。

我从进g公司的第一天就在构思《逃亡》，心中的正义感让我时刻想起陈友贵逍遥法外，但人性的懦弱又让我无法忽略自己的设计才是真正的元凶。

直到我翻看了无数遍画册，某一天猛然看懂了周老板真正的用意，他早就萌生了自杀的想法，我才决定把“言成蹊”搬到大众的面前，也决定正视自己的内心。

【part11】

这一年没有了“言成蹊”，也没有了g公司。所有的玩家翘首企盼等来了《逃亡》的结局，却发现再也没了续集。g公司从这个世界上彻底消失了。艺术街尾的这处好像悬浮在土地之上的画廊没过多久就迎来了新主人。老板身家显赫，西装革履长得也一表人才，众人打听才知道他的父亲就是鼎鼎大名的画家周启生。不过周老板年少时玩世不恭，整日游戏，两年前父亲去世，才突然醒悟，觉得不能这样虚度人生，就去国外努力读商科，回国后开始做生意。

“我这里不缺人，无论你要多高的工资，只要钱能解决，就都不是问题。”周老板看着新闻里的通缉犯林寻，把这几年的汇款单扔进了垃圾桶，然后摘下了大厅正中央的那幅《呐喊》，一切都结束了。

《逃亡》游戏两种结局，陈友贵亡，我却在劫难逃。因为谋杀岁月和谋杀人命一样不可原谅。

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